…
Back to ‘highlights’ section.
︎︎︎
This is a compilation/archive of all my works into a single timeline style web-page.
︎︎︎
FOR—YOUR—PERUSAL"TIMELINE"
DETAILS—DETAILS—DETAILS︎︎︎
Work/Poster
UNITED KINGDOM; UNITED IN DISCRIMINATION, RACISM, DIVISION, INEQUALITY, INJUSTICE.
Instead of looking into a mirror and seeing your societal issues and faults, the government and nearly everyone blames it on immigration. Besides the Rwanda act—now, in an act of desperation—they’re targeting legal migrants as well.
Overseas care workers can’t bring dependants, international students might lose post-graduation work opportunities, and even skilled workers or family visas face a new, unreasonably high salary requirements—exceeding the UK’s median wage, and increasing the IHS fees (you know, we migrants pay £££ and fund your beloved NHS as part of the visa process?)
This country is a joke with your cruel, hostile policies and views against humans from another side of the world, who’s just trying to live.
What: they, really, dont, want, us, here, 2024.
UNITED KINGDOM; UNITED IN DISCRIMINATION, RACISM, DIVISION, INEQUALITY, INJUSTICE.
Instead of looking into a mirror and seeing your societal issues and faults, the government and nearly everyone blames it on immigration. Besides the Rwanda act—now, in an act of desperation—they’re targeting legal migrants as well.
Overseas care workers can’t bring dependants, international students might lose post-graduation work opportunities, and even skilled workers or family visas face a new, unreasonably high salary requirements—exceeding the UK’s median wage, and increasing the IHS fees (you know, we migrants pay £££ and fund your beloved NHS as part of the visa process?)
This country is a joke with your cruel, hostile policies and views against humans from another side of the world, who’s just trying to live.
What: they, really, dont, want, us, here, 2024.
For: Personal view on the state of this country, after living here for 4 years.
FEBRUARY 2024
![]()
![]()
![]()
![]()
Work/Poster
ARNOLFINI; MOON FEST 2022.
Working with the organizers of Moon Fest which was set in Arnolfini, Bristol - digitalizing and produced a floor plan for the event’s layout to be printed as posters.
Moon Fest is a brand-new arts and culture festival for East and South East Asian (ESEA) creatives, communities and everyone in Bristol.
Photo: Peter Wan
What: work, community, culture, festival, space, poster, 2022.
ARNOLFINI; MOON FEST 2022.
Working with the organizers of Moon Fest which was set in Arnolfini, Bristol - digitalizing and produced a floor plan for the event’s layout to be printed as posters.
Moon Fest is a brand-new arts and culture festival for East and South East Asian (ESEA) creatives, communities and everyone in Bristol.
Photo: Peter Wan
What: work, community, culture, festival, space, poster, 2022.
For: Moon Fest + Arnolfini
SEPTEMBER 2022
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
Award/Achievement
D&AD; NEW BLOOD PORTFOLIOS 2022 WINNER.
Honored to be selected among the winners for D&AD's New Blood: The Porfolios competition, in the graphic design category.
Thank you for the amazing support and for the feature.
Congratulations to the rest of the winners as well!
My first (digital) D&AD pencil! :-)
What: winner, award, graphic, portfolio, 2022, yay.
D&AD; NEW BLOOD PORTFOLIOS 2022 WINNER.
Honored to be selected among the winners for D&AD's New Blood: The Porfolios competition, in the graphic design category.
Thank you for the amazing support and for the feature.
Congratulations to the rest of the winners as well!
My first (digital) D&AD pencil! :-)
What: winner, award, graphic, portfolio, 2022, yay.
For: Self + D&AD
AUGUST 2022
![]()
![]()
Work/Poster
THE SHOWROOM; ADAM SHIELD (Pt 3).
Posters for The Showroom, London, produced during the poster workshops with other attendees.
Supporting The Showroom and the exhibiting artist: Adam Shield (Amp Envelope) for print and poster duties. This section shows the riso prints after explorations at We Design for the Community (see below).
What: poster, riso, type, workshop, language, invitation, gallery, community, refugees, #london.
Further reading: @Typenowhere
THE SHOWROOM; ADAM SHIELD (Pt 3).
Posters for The Showroom, London, produced during the poster workshops with other attendees.
Supporting The Showroom and the exhibiting artist: Adam Shield (Amp Envelope) for print and poster duties. This section shows the riso prints after explorations at We Design for the Community (see below).
What: poster, riso, type, workshop, language, invitation, gallery, community, refugees, #london.
Further reading: @Typenowhere
For: The Showroom
JULY/AUGUST 2022
![]()
![]()
![]()
![]()
![]()
![]()
Work/Poster
THE SHOWROOM; ADAM SHIELD (Pt 2).
Some of the explorations of poster designs for The Showroom, London.
Supporting The Showroom and the exhibiting artist: Adam Shield (Amp Envelope) for print and poster duties. This section shows the other possible outcomes from my explorations and process at We Design for the Community (see below).
What: poster, riso, type, workshop, language, invitation, gallery, community, refugees, #london.
Further reading: @Typenowhere
THE SHOWROOM; ADAM SHIELD (Pt 2).
Some of the explorations of poster designs for The Showroom, London.
Supporting The Showroom and the exhibiting artist: Adam Shield (Amp Envelope) for print and poster duties. This section shows the other possible outcomes from my explorations and process at We Design for the Community (see below).
What: poster, riso, type, workshop, language, invitation, gallery, community, refugees, #london.
Further reading: @Typenowhere
For: The Showroom & WDFTC
JULY/AUGUST 2022
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
School/Work
WE DESIGN FOR THE COMMUNITY; Summer School 2022.
Some pictures.
‘We Design for the Community’ was a pilot programme conceived by objectif design studio (Marco Ugolini and Axel Feldmann) in collaboration with the Mayor of London's Culture and Community Spaces at Risk programme.
Pairing design and communication students with culture and community organisations, producing collaborative design process where organisations, designers and students bring expertise, creativity and enthusiasm to develop bespoke solutions together.
What: class, explore, design, workshop, summer, networking, learn, feedback, grow, #london.
Further reading: @Typenowhere
WE DESIGN FOR THE COMMUNITY; Summer School 2022.
Some pictures.
‘We Design for the Community’ was a pilot programme conceived by objectif design studio (Marco Ugolini and Axel Feldmann) in collaboration with the Mayor of London's Culture and Community Spaces at Risk programme.
Pairing design and communication students with culture and community organisations, producing collaborative design process where organisations, designers and students bring expertise, creativity and enthusiasm to develop bespoke solutions together.
What: class, explore, design, workshop, summer, networking, learn, feedback, grow, #london.
Further reading: @Typenowhere
For: WDFTC
JULY/AUGUST 2022
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
Work/Poster
THE SHOWROOM; ADAM SHIELD (Pt 1).
Mini poster made for the Arabic speaking community around The Showroom (Penfold Street + Edgware Road, London).
Supporting The Showroom and the exhibiting artist: Adam Shield (Amp Envelope) for print and poster duties. This section shows the preliminary work before explorations at We Design for the Community (see Pt 3 above).
What: poster, riso, type, workshop, language, invitation, gallery, community, refugees, #london.
Further reading: @Typenowhere
THE SHOWROOM; ADAM SHIELD (Pt 1).
Mini poster made for the Arabic speaking community around The Showroom (Penfold Street + Edgware Road, London).
Supporting The Showroom and the exhibiting artist: Adam Shield (Amp Envelope) for print and poster duties. This section shows the preliminary work before explorations at We Design for the Community (see Pt 3 above).
What: poster, riso, type, workshop, language, invitation, gallery, community, refugees, #london.
Further reading: @Typenowhere
For: The Showroom
JUNE/JULY 2022
![]()
![]()
![]()
Publication/Newspaper
ON DEATH; ETHICS (Pt 2).
A newspaper exploring the ‘interesting’ stance of Europe on Ukrainian refugees when compared to the refugee/migrant crisis of 2015.
‘DEATH’ is a series of projects/works dedicated for my final term at UWE.
What: newsprint, poster, type, socio-political, statement, bold, angry, racism, refugees, #ukraine.
ON DEATH; ETHICS (Pt 2).
A newspaper exploring the ‘interesting’ stance of Europe on Ukrainian refugees when compared to the refugee/migrant crisis of 2015.
+
I guess we’re sub-human if we’re yellow, brown, black, or not followers of Jesus™ or YHWH®, or any other Christian© denominations.‘DEATH’ is a series of projects/works dedicated for my final term at UWE.
What: newsprint, poster, type, socio-political, statement, bold, angry, racism, refugees, #ukraine.
For: Extended Study UWE Bristol
JUNE 2022
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
Wearable/Graphic
ON DEATH; LIVING WILL.
A series of tees and tote bags with a declaration on the front on how one chooses to die (e.g. DNR, reduce me to ashes, upload me, etc.), and the back graphic has the said person’s living testament/will.
‘DEATH’ is a series of projects/works dedicated for my final term at UWE.
What: wearable, graphic, impact, philosophy, statement, screenprint, shirt, tote, exploration, ideas, future, life, death.
ON DEATH; LIVING WILL.
A series of tees and tote bags with a declaration on the front on how one chooses to die (e.g. DNR, reduce me to ashes, upload me, etc.), and the back graphic has the said person’s living testament/will.
‘DEATH’ is a series of projects/works dedicated for my final term at UWE.
What: wearable, graphic, impact, philosophy, statement, screenprint, shirt, tote, exploration, ideas, future, life, death.
For: Extended Study UWE Bristol
JUNE 2022
![]()
![]()
![]()
![]()
![]()
![]()
Publication/Reader
ON DEATH; WACKY DEATHS.
A reader style publication exploring/celebrating the wacky deaths throughout time that is humorous and/or mysterious enough to ponder upon while reading in the bus or on the loo. Meant to take the viewer by surprise and laugh at death, rather than fearing it.
‘DEATH’ is a series of projects/works dedicated for my final term at UWE.
What: publication, reader, editorial, graphic, bitmap, philosophy, tribute, humans, funny, celebration, historical, death.
ON DEATH; WACKY DEATHS.
A reader style publication exploring/celebrating the wacky deaths throughout time that is humorous and/or mysterious enough to ponder upon while reading in the bus or on the loo. Meant to take the viewer by surprise and laugh at death, rather than fearing it.
‘DEATH’ is a series of projects/works dedicated for my final term at UWE.
What: publication, reader, editorial, graphic, bitmap, philosophy, tribute, humans, funny, celebration, historical, death.
For: Extended Study UWE Bristol
MAY 2022
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
Website/Figma
ON DEATH; THE EXODUS.
A memorial/tribute website celebrating creatives who died from 2020–2022. Creatives (& their Deaths) Matter.
‘DEATH’ is a series of projects/works dedicated for my final term at UWE.
Website landing page accessible here.
What: website, editorial, type, philosophy, tribute, designers, creatives, graphic, celebration, death.
ON DEATH; THE EXODUS.
A memorial/tribute website celebrating creatives who died from 2020–2022. Creatives (& their Deaths) Matter.
‘DEATH’ is a series of projects/works dedicated for my final term at UWE.
Website landing page accessible here.
What: website, editorial, type, philosophy, tribute, designers, creatives, graphic, celebration, death.
For: Extended Study UWE Bristol
MAY 2022
![]()
![]()
![]()
![]()
![]()
![]()
![]()
Publication/Type
ON DEATH; DEATH/DECAY.
A book exploring various essays/thesis on the future of cemeteries and/or burials / afterlife with the advent of uploading the mind/consciousness—there is no need for physical burials anymore: it shall only be a ceremonious celebration of one’s passing but the digital A.I. of the dead person lives forever.
‘DEATH’ is a series of projects/works dedicated for my final term at UWE.
What: publication, editorial, type, philosophy, spirituality, journals, exploration, ideas, future, death.
ON DEATH; DEATH/DECAY.
A book exploring various essays/thesis on the future of cemeteries and/or burials / afterlife with the advent of uploading the mind/consciousness—there is no need for physical burials anymore: it shall only be a ceremonious celebration of one’s passing but the digital A.I. of the dead person lives forever.
‘DEATH’ is a series of projects/works dedicated for my final term at UWE.
What: publication, editorial, type, philosophy, spirituality, journals, exploration, ideas, future, death.
For: Extended Study UWE Bristol
MAY 2022
![]()
![]()
![]()
Print/Series
ON DEATH; THE TOUR.
A satirical band tour-esque style of posters campaigning for mass graves and numbers of the dead from 2020–2022.
‘DEATH’ is a series of projects/works dedicated for my final term at UWE.
What: poster, shirt, screenprint, logo/branding, graphic, satire, tour, statistics, anti-anti bullshit, facts, #covid.
ON DEATH; THE TOUR.
A satirical band tour-esque style of posters campaigning for mass graves and numbers of the dead from 2020–2022.
‘DEATH’ is a series of projects/works dedicated for my final term at UWE.
What: poster, shirt, screenprint, logo/branding, graphic, satire, tour, statistics, anti-anti bullshit, facts, #covid.
For: Extended Study UWE Bristol
MAY 2022
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
Poster/Exploration
ON DEATH; ETHICS (Pt 1).
A poster exploring the ‘interesting’ stance of Europe on Ukrainian refugees when compared to the refugee/migrant crisis of 2015.
‘DEATH’ is a series of projects/works dedicated for my final term at UWE.
What: poster, type, socio-political, statement, bold, angry, racism, refugees, #ukraine.
ON DEATH; ETHICS (Pt 1).
A poster exploring the ‘interesting’ stance of Europe on Ukrainian refugees when compared to the refugee/migrant crisis of 2015.
+
I guess we’re sub-human if we’re yellow, brown, black, or not followers of Jesus™ or YHWH®, or any other Christian© denominations.‘DEATH’ is a series of projects/works dedicated for my final term at UWE.
What: poster, type, socio-political, statement, bold, angry, racism, refugees, #ukraine.
For: Extended Study UWE Bristol
APRIL 2022
![]()
![]()
![]()
Subject/Exploration
DEATH/AFTERLIFE
What: posters, type, graphic, playful, riso, prints, explorations. Day brief: Please look at what you have made so far this semester and extend or make more of something. Take no longer than the day—use the materials and facilities available to you at university.
DEATH/AFTERLIFE
What: posters, type, graphic, playful, riso, prints, explorations. Day brief: Please look at what you have made so far this semester and extend or make more of something. Take no longer than the day—use the materials and facilities available to you at university.
For: Extended Study UWE Bristol
MARCH 2022
![]()
![]()
Design/Exploration
NOT WORTH
What: posters, type, dingbats, quote, graphic, risograph, exploration, minimal, joke, satire.
NOT WORTH
What: posters, type, dingbats, quote, graphic, risograph, exploration, minimal, joke, satire.
For: Self
FEBRUARY 2022
![]()
![]()
![]()
![]()
![]()
ISTD 2022
ENCOUNTER / INFLAME / EXCHANGE:
Thirty Years On
What: publication, type, interviews, graphic, transcript, exploration, ISTD, reader. A concise book exploring Salman Rushdie’s ‘The Satanic Verses’ 30 years after its first publication.
THIS IS A LIVE BRIEF WORK FOR ISTD STUDENT ASSESSMENT 2022. BRIEF CHOSEN—BRIEF 3: SHAPING THE WORLD.
Final piece of the term. All collected pieces in a semi-art directed photoshoot…
ENCOUNTER / INFLAME / EXCHANGE:
Thirty Years On
What: publication, type, interviews, graphic, transcript, exploration, ISTD, reader. A concise book exploring Salman Rushdie’s ‘The Satanic Verses’ 30 years after its first publication.
THIS IS A LIVE BRIEF WORK FOR ISTD STUDENT ASSESSMENT 2022. BRIEF CHOSEN—BRIEF 3: SHAPING THE WORLD.
Final piece of the term. All collected pieces in a semi-art directed photoshoot…
For: Prep for Extended Study UWE Bristol
JANUARY 2022
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
Patch/Exploration
THIS IS YOUR LIFE
What: patch, type, quote, graphic, oversized, exploration, maximalist, military. A simple poster using the famous quote from ‘Fight Club’. Day brief: Design a patch in relation to your subject (this is a Bonne Suits live brief). Think scout achievement embroidered patches…patches that stimulates people to do a good deed or just do or mark something. Include text but should be limited to a few words.
THIS IS YOUR LIFE
What: patch, type, quote, graphic, oversized, exploration, maximalist, military. A simple poster using the famous quote from ‘Fight Club’. Day brief: Design a patch in relation to your subject (this is a Bonne Suits live brief). Think scout achievement embroidered patches…patches that stimulates people to do a good deed or just do or mark something. Include text but should be limited to a few words.
For: Prep for Extended Study UWE Bristol
DECEMBER 2021
![]()
![]()
![]()
200–Page Book
A BOOK ON DEATH: A (kind of) Hard to Read Manual on Death
What: publication, type, quotes, graphics, reader, exploration, dingbats, corruption, covered text. This was designed with the idea that it’s a small handbook on various topics of death. Day brief: Design a 200-page book; the content of this should derive from your study topic. This should be printed and bound - a fully formed book.
A BOOK ON DEATH: A (kind of) Hard to Read Manual on Death
What: publication, type, quotes, graphics, reader, exploration, dingbats, corruption, covered text. This was designed with the idea that it’s a small handbook on various topics of death. Day brief: Design a 200-page book; the content of this should derive from your study topic. This should be printed and bound - a fully formed book.
For: Prep for Extended Study UWE Bristol
NOVEMBER 2021
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
DESIGN RATIONALE:
This was designed with the idea that it’s a a small handbook on various topics of death.
The body text from start will be filled with information and good-to-know, pretty boring stuff, yawn. It’s at page 100 where you’ll see the slow descent into madness and death—with vision being corrupted with each passing page; dingbats type being used interchangeably with regular latin to show the brain’s starting to fry up, and finally in the midpoint where the brain has passed over to the other side (wherever that is), complete dingbats type because you’re not supposed to understand that realm at all. Why page 100? Life expectancy on average is 100 years old, and also if you look at it in percentage form—the person has reached 100% of it’s life. Time to die now!
Besides the brain, the graphic of the bug will slowly be morphed back to normal at the end, while the brain has deformed and transformed into an orb of energy.
Circle of life, reincaranation, whatever.
︎
Typeface/Exploration
THIS IS YOUR LIFE
What: poster, typography, quote, typeface, oversized, exploration, minimal, film. A simple poster using the famous quote from ‘Fight Club’. Day brief: Choose one typeface that sits well with your topic (DEATH). Produce an oversized poster/fold-down typographic quote piece using the typeface.
THIS IS YOUR LIFE
What: poster, typography, quote, typeface, oversized, exploration, minimal, film. A simple poster using the famous quote from ‘Fight Club’. Day brief: Choose one typeface that sits well with your topic (DEATH). Produce an oversized poster/fold-down typographic quote piece using the typeface.
For: Prep for Extended Study UWE Bristol
OCTOBER 2021
![]()
![]()
Everything About One Thing
A TRIBUTE TO THE AFFLIKTED
What: publication, typography, editorial, tribute, narrative, duotone, halftone, humans. A little book celebrating people with epilepsy, a short history about it and how it’s related with historical figures who shaped today’s world from times of yore.
64 pages. A5. 165gsm covers, 135gsm book block. Square back, perfect bound. FLIP–THRU!
A TRIBUTE TO THE AFFLIKTED
What: publication, typography, editorial, tribute, narrative, duotone, halftone, humans. A little book celebrating people with epilepsy, a short history about it and how it’s related with historical figures who shaped today’s world from times of yore.
64 pages. A5. 165gsm covers, 135gsm book block. Square back, perfect bound. FLIP–THRU!
For: Type & Print UWE Bristol
MAY 2021
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
![]()
Obey The Grid
EARTH DAY 2021
What: poster, grid system, typographic, swiss style, social, screenprint, overprint, earth. A workshop, individually produced poster to spread awareness on saving our beautiful planet.
EARTH DAY 2021
What: poster, grid system, typographic, swiss style, social, screenprint, overprint, earth. A workshop, individually produced poster to spread awareness on saving our beautiful planet.
For: Type & Print UWE Bristol
MARCH 2021
![]()
Preparatory Project 2021
THINGS YOU’VE LEARNED
What: response, typography, narrative, duotone, perforated blotting paper. Prep task of producing a typographic response to Sagmeister’s ‘Thing’s I Have Learned In My Life So Far’ book.
THINGS YOU’VE LEARNED
What: response, typography, narrative, duotone, perforated blotting paper. Prep task of producing a typographic response to Sagmeister’s ‘Thing’s I Have Learned In My Life So Far’ book.
For: Type & Print UWE Bristol
FEBRUARY 2021
![]()
![]()
Out There Interview #2
AN INTERVIEW WITH NATHAN RILEY
What: interview, motion, typography, visual, work experience, narrative, response, practice. A moving image response to an interview with visual maker and design director, Nathan Riley. This piece explores Nathan's personal practice, work and inspirations, as well as displaying our own visual responses to his work, in
the form of illustration and animated paintings.
THIS IS A COLLABORATIVE WORK.
Interview conducted by: Kirsty Carrington, Charlie Fox and Ishqha Khidzr.
OUT THERE PAGE.
VIMEO INTERVIEW.
AN INTERVIEW WITH NATHAN RILEY
What: interview, motion, typography, visual, work experience, narrative, response, practice. A moving image response to an interview with visual maker and design director, Nathan Riley. This piece explores Nathan's personal practice, work and inspirations, as well as displaying our own visual responses to his work, in
the form of illustration and animated paintings.
THIS IS A COLLABORATIVE WORK.
Interview conducted by: Kirsty Carrington, Charlie Fox and Ishqha Khidzr.
OUT THERE PAGE.
VIMEO INTERVIEW.
For: Professional Practice L2 UWE Bristol
JANUARY 2021
![]()
![]()
Out There Interview #1
WHERE DO WE (i) GO FROM HERE?
What: socio-political, publication, typography, editorial, tribute, narrative, illustration, photography, practice. A conversation with London based photographer, Tommy Sussex, about all things photography, protests, politics and the COVID-19 pandemic. His projects focus on editorial, documentary, and portrait analogue photography. The images he makes attempt to render an individual social reality that carries political weight.
THIS IS A COLLABORATIVE WORK.
Interview conducted by: Kirsty Carrington, Charlie Fox and Ishqha Khidzr.
OUT THERE PAGE.
ISSUU PAGE ARCHIVE.
WHERE DO WE (i) GO FROM HERE?
What: socio-political, publication, typography, editorial, tribute, narrative, illustration, photography, practice. A conversation with London based photographer, Tommy Sussex, about all things photography, protests, politics and the COVID-19 pandemic. His projects focus on editorial, documentary, and portrait analogue photography. The images he makes attempt to render an individual social reality that carries political weight.
THIS IS A COLLABORATIVE WORK.
Interview conducted by: Kirsty Carrington, Charlie Fox and Ishqha Khidzr.
OUT THERE PAGE.
ISSUU PAGE ARCHIVE.
For: Professional Practice L2 UWE Bristol
JANUARY 2021
![]()
![]()
Interpretation
BOOK—REINTERPRETED
What: publication, typography, editorial, experimental, narrative. Reinterpreted a whole book (48 Laws of Power by Robert Greene), pictured right is the cover. Explored with the design to make it as a poster too.
BOOK—REINTERPRETED
What: publication, typography, editorial, experimental, narrative. Reinterpreted a whole book (48 Laws of Power by Robert Greene), pictured right is the cover. Explored with the design to make it as a poster too.
For: Exploring Graphic Design Process UWE Bristol
JANUARY 2021
![]()
![]()
![]()
100 Ways
SMILING WITH YOUR EYES AT STRANGERS
What: poster, type only, grid system, monochrome, group, life. A group based outcome, focusing and designing a poster based on the sentence we chosed out of 99 other sentences.
SMILING WITH YOUR EYES AT STRANGERS
What: poster, type only, grid system, monochrome, group, life. A group based outcome, focusing and designing a poster based on the sentence we chosed out of 99 other sentences.
For: Exploring Graphic Design Process UWE Bristol
DECEMBER 2020
![]()
Five Hours / 50 Photos
LOCKDOWN OBSERVATION
What: publication, photos, sketches, observation, narrative, life, film cameras. Combined two different briefs into a single publication—efficient. 5 hours at the top of Charlotte St. 50 photos over a period of two weeks. Thoughts and observations scribbled into the journal-like outcome.
LOCKDOWN OBSERVATION
What: publication, photos, sketches, observation, narrative, life, film cameras. Combined two different briefs into a single publication—efficient. 5 hours at the top of Charlotte St. 50 photos over a period of two weeks. Thoughts and observations scribbled into the journal-like outcome.
For: Exploring Graphic Design Process UWE Bristol
NOVEMBER 2020
![]()
![]()
UI/UX Work
FINORY—A FINTECH APP
What: logo design, wordmark, user interface design, user experience exploration, work experience, mobile application, website, social media. Had the pleasure of working with a fintech startup company, leading the design team, working and learning the guidelines of designing for both iOS and Android environments, and also the website.
FINORY—A FINTECH APP
What: logo design, wordmark, user interface design, user experience exploration, work experience, mobile application, website, social media. Had the pleasure of working with a fintech startup company, leading the design team, working and learning the guidelines of designing for both iOS and Android environments, and also the website.
For: FINORY (Kee H. J. and M. N. Hasan)
JANUARY—JULY 2020
![]()
![]()
![]()
![]()
Personal Sticker Project (UN)
THIS MACHINE SHITS ON COMMIES
What: sticker, parody, propaganda, commie virus. Designed and printed little stickers to use, for shitting on commies. Based on the famed message, ‘this machine kills fascists’. UN symbol overlayed with a rainbow gradient.
THIS MACHINE SHITS ON COMMIES
What: sticker, parody, propaganda, commie virus. Designed and printed little stickers to use, for shitting on commies. Based on the famed message, ‘this machine kills fascists’. UN symbol overlayed with a rainbow gradient.
For: Self
JULY 2020
![]()
![]()
Personal T-Shirt Project (PRC)
P.R.C – F*CK THA COMMIES
What: parody, album, t-shirt, monochrome. Based the design on N.W.A’s album. An appreciation design on the world’s greatest exporter of product and lifestyle changes. Pictured are powerful figures in PRC’s government, with Winnie the Pooh in the middle—oops. I meant President Xi.
P.R.C – F*CK THA COMMIES
What: parody, album, t-shirt, monochrome. Based the design on N.W.A’s album. An appreciation design on the world’s greatest exporter of product and lifestyle changes. Pictured are powerful figures in PRC’s government, with Winnie the Pooh in the middle—oops. I meant President Xi.
For: Self
MAY 2020
![]()
Personal Sticker Project (MSIA)
DEMOCRACY IS DEAD IN MALAYSIA
What: sticker, parody, activism, political. Created little stickers to use as a political protest tool against the current UNELECTED MINORITY government of Malaysia.
DEMOCRACY IS DEAD IN MALAYSIA
What: sticker, parody, activism, political. Created little stickers to use as a political protest tool against the current UNELECTED MINORITY government of Malaysia.
For: Self
APRIL 2020
![]()
![]()
Personal Project (HARAPAN)
HARAPAN PALSU—FAKE HOPES
What: parody, political, activism. A simple parody design based on the ELECTED government of Malaysia (2019-2020) posters and banners. U-Turn symbol as an element to highlight the then government’s incompetency in reforming the country. Was actually made before the political crisis – printed during the change of government.
HARAPAN PALSU—FAKE HOPES
What: parody, political, activism. A simple parody design based on the ELECTED government of Malaysia (2019-2020) posters and banners. U-Turn symbol as an element to highlight the then government’s incompetency in reforming the country. Was actually made before the political crisis – printed during the change of government.
For: Self
MARCH 2020
![]()
![]()
Personal Poster Project (KHIANAT)
PENGKHIANAT—TRAITOR
What: poster, typography, editorial, tribute, narrative, duotone, halftone, humans. Made in response to the main man who led the defection movement against the ELECTED government, to form an UNELECTED MINORITY government. Betrayed the people’s trust. ‘PENGKHIANAT’ as a motif, to highlight the label being stamped all over him.
PENGKHIANAT—TRAITOR
What: poster, typography, editorial, tribute, narrative, duotone, halftone, humans. Made in response to the main man who led the defection movement against the ELECTED government, to form an UNELECTED MINORITY government. Betrayed the people’s trust. ‘PENGKHIANAT’ as a motif, to highlight the label being stamped all over him.
For: Self
FEBRUARY 2020
![]()
︎︎︎
POST
"PANDEMIK"
PRE
︎︎︎
Final Year Showcase
MAD DESIGN SHOWCASE
CLASS OF 2019
What: showcase, art direction, design, graduation. Entrusted and led the design team for our exhibition. Handled overall art direction and assets for physical prints, also event’s T-shirt.
MAD DESIGN SHOWCASE
CLASS OF 2019
What: showcase, art direction, design, graduation. Entrusted and led the design team for our exhibition. Handled overall art direction and assets for physical prints, also event’s T-shirt.
For: FOCAD SEGi Subang Jaya
DECEMBER 2019
![]()
![]()
Final Year Project
PsychED, A FICTIONAL SELF-PROMOTIONAL WORK
What: fictional, typography, grid system, minimalist, narrative, educational, poster, banner, booklets, stickers, cups, postcards. A fictional company based on TED. Only it’s educating the public about psychedelics and psychology.
PsychED, A FICTIONAL SELF-PROMOTIONAL WORK
What: fictional, typography, grid system, minimalist, narrative, educational, poster, banner, booklets, stickers, cups, postcards. A fictional company based on TED. Only it’s educating the public about psychedelics and psychology.
For: FOCAD SEGi Subang Jaya
DECEMBER 2019
![]()
![]()
![]()
Designer Contest
EXHALE x AWAKENINGS
What: poster, t-shirt, duotone, festival, techno. EXHALE—a techno label promoted a Call out for Creatives with a passion for techno culture—to participate in their designer contest. The brief was to create a design which would be produced and sold as a T-shirt during ‘EXHALE x Awakenings ADE’ festival in Amsterdam. The EXHALE brand needed to be kept in mind and included in the design. Adapted as a poster.
EXHALE x AWAKENINGS
What: poster, t-shirt, duotone, festival, techno. EXHALE—a techno label promoted a Call out for Creatives with a passion for techno culture—to participate in their designer contest. The brief was to create a design which would be produced and sold as a T-shirt during ‘EXHALE x Awakenings ADE’ festival in Amsterdam. The EXHALE brand needed to be kept in mind and included in the design. Adapted as a poster.
For: EXHALE Designer Contest 2019
AUGUST 2019
![]()
![]()
Personal T-Shirt Project (UNDER9)
UNDERNINE INSPIRED PROJECT
What: t-shirt, techno, duotone, tribute. Designed for my own personal use, for when the titled person in picture (personal favorite techno DJ) came over to host a small techno club in Kuala Lumpur.
UNDERNINE INSPIRED PROJECT
What: t-shirt, techno, duotone, tribute. Designed for my own personal use, for when the titled person in picture (personal favorite techno DJ) came over to host a small techno club in Kuala Lumpur.
For: Self
JULY 2019
![]()
![]()
Physical Portfolio
IN THE FORM OF A MAGAZINE
What: publication, typography, editorial, archive, collection, works, portfolio, self-promotional. My collected diploma works during my time at SEGi College Subang Jaya.
48 pages of 250gsm glossy goodness, to emulate that feel and look of a quality art magazine. A magazine of myself in a sense.
IN THE FORM OF A MAGAZINE
What: publication, typography, editorial, archive, collection, works, portfolio, self-promotional. My collected diploma works during my time at SEGi College Subang Jaya.
48 pages of 250gsm glossy goodness, to emulate that feel and look of a quality art magazine. A magazine of myself in a sense.
For: FOCAD SEGi Subang Jaya
JULY 2019
![]()
Flyer / Poster
FREELANCE WORK
What: flyer, leaflet, poster, coffee, informational, infographic. Client wanted a simple leaflet/flyer design that can also be adapted as a poster if need be. Coffee bean information needed to be included in the design. Outcome as pictured.
FREELANCE WORK
What: flyer, leaflet, poster, coffee, informational, infographic. Client wanted a simple leaflet/flyer design that can also be adapted as a poster if need be. Coffee bean information needed to be included in the design. Outcome as pictured.
For: Client: Harry S. For use in Malaysia Barista Open Championship 2019
JUNE 2019
![]()
![]()
Packaging Design
A FICTIONAL TEA PACKAGING DESIGN
What: packaging, artwork, eco-friendly, tribute, fictional. Brief was to design or overhaul a packaging you find frequently. Designed tea boxes as they’re always so boring, made it look fresh and more interesting—e.g. it will ‘pop’ more to the general consumer.
A FICTIONAL TEA PACKAGING DESIGN
What: packaging, artwork, eco-friendly, tribute, fictional. Brief was to design or overhaul a packaging you find frequently. Designed tea boxes as they’re always so boring, made it look fresh and more interesting—e.g. it will ‘pop’ more to the general consumer.
For: FOCAD SEGi Subang Jaya
MARCH 2019
![]()
Other Works
A FICTIONAL NAMECARD
& TWO POSTERS
What: name card; reflective, contrast, fictional, posters; art nouveau, art deco, constructivism, propaganda.
A FICTIONAL NAMECARD
& TWO POSTERS
What: name card; reflective, contrast, fictional, posters; art nouveau, art deco, constructivism, propaganda.
For: FOCAD SEGi Subang Jaya
NOVEMBER 2018
![]()
![]()
Digital Artwork
A SKETCH OF THE BURAQ
What: digital art, print. Briefed to sketch an interpretation of the buraq, a mythical horse creature that apparently has wings and flies to the heavens. Included in the sketch are drawings of Cara Delevingne. Imitated drawings like Yoji Shinkawa, character artist/designer for video game franchise Metal Gear Solid.
A SKETCH OF THE BURAQ
What: digital art, print. Briefed to sketch an interpretation of the buraq, a mythical horse creature that apparently has wings and flies to the heavens. Included in the sketch are drawings of Cara Delevingne. Imitated drawings like Yoji Shinkawa, character artist/designer for video game franchise Metal Gear Solid.
For: FOCAD SEGi Subang Jaya
MARCH 2018
![]()
Postcard Design
BE PROTECTED
What: postcards, activism, editorial, tribute, narrative, sex education. A series of postcards to highlight the of using condoms in Malaysia because it’s taboo (lol) and the high cases of baby dumpings.
BE PROTECTED
What: postcards, activism, editorial, tribute, narrative, sex education. A series of postcards to highlight the of using condoms in Malaysia because it’s taboo (lol) and the high cases of baby dumpings.
For: FOCAD SEGi Subang Jaya
SEPTEMBER 2017
![]()
![]()
Works On Redbubble
#CaraIsLoveCaraIsLife
What: interest, random, stickers, print, t-shirt. Before I actually started to focus more into graphic design, I was infatuated with this quirky model named Cara Delevingne. Self-learned Adobe programs to create my own stickers and merch related to her, to be sold on Redbubble. MAJOR profit when she turned into an actor and starred in Suicide Squad. Still love her!
#CaraIsLoveCaraIsLife
What: interest, random, stickers, print, t-shirt. Before I actually started to focus more into graphic design, I was infatuated with this quirky model named Cara Delevingne. Self-learned Adobe programs to create my own stickers and merch related to her, to be sold on Redbubble. MAJOR profit when she turned into an actor and starred in Suicide Squad. Still love her!
For: Self
2014—2016
![]()
